Morecambe Winter Gardens Ghost Hunt
Morecambe Winter Gardens Ghost Nights / Paranormal Events / Overnight Ghost Hunts
Prepare yourself for a bone-chilling encounter at the infamous Morecambe Winter Gardens in Lancashire. This haunted theatre has gained a reputation as one of the most sinister locations for ghost hunters. Countless individuals have reported being physically touched by unseen forces, while the sound of heavy footsteps echoes through the desolate corridors. Sinister shadows lurk in the balcony areas, and sudden temperature drops will leave you breathless. Prepare for an eerie experience as we invite you to join the Paranormal Eye Team on a ghost hunt inside this haunted theatre.
Experience the chilling atmosphere of Morecambe Winter Gardens during the haunting nights organized by the Paranormal Eye Team. Explore the sinister and dark corners of this location after the lights go out, venturing through harrowing long corridors. Join the ghost hunts, ghost hunting events, and overnight ghost hunts to uncover the mysteries of this haunted venue. Immerse yourself in the thrill of the paranormal nights and ghost tours, as you embark on a journey to encounter the spirits that reside within.
History of Morecambe Winter Gardens
The Winter Gardens in Morecambe was opened as the Victoria Pavilion Theatre in the last years of the 19th century and has played host to some of the most famous names in entertainment. Its grand red brick frontage is an iconic landmark in the town as the Midland, where guests in the town’s heyday may have heard the laughter from crowds of more than 2,000.
The theatre closed in 1977 and stood empty for years before it was threatened with demolition.
The Winter Gardens is a Grade II listed building in Morecambe, England. Designed by architects Mangnall and Littlewood, with Frank Matcham as a consulting architect, it was initially built as the Victoria Pavilion Theatre in 1897. It was an extension of the existing Winter Gardens complex, which has since been demolished.
The theatre closed to the public in 1977 and was listed the same year. It is considered one of Morecambe's most significant features, and a campaign for its restoration has been ongoing since 1986. This is a music hall of a rare type, probably now unique (following the loss of the Islington Palace, London, formerly Mohawks' Hall of c.1869, demolished 1982) - that is, a big concert party or minstrels' hall.
It was built in 1897 to the designs of Mangnall & Littlewood, with Frank Matcham as a consultant. Prominently sited on the seafront, the main elevation is an ornate, symmetrical composition in brick and terracotta. A prominent central gable with an elaborately scrolled outline expresses the rear wall of the auditorium and is flanked by projecting square towers with shaped roofs. At ground level, the entrance is set between shop fronts. Internally, a flavour of Matcham is detectable in a building, quite unlike any of his surviving works.
The general form must be Mangnall & Littlewood's, although the design of the balconies and some other details may have been modified due to Matcham's involvement. The foyer is richly appointed, with mosaic, coloured and modelled faience tiling, plaster decorations, and a pair of remarkably preserved bow-fronted ticket kiosks. The stair hall is equally elaborate, with marble, coloured tiles, and fine joinery. This leads to curving promenades at two levels with glazed screens looking into the lobby. The hall itself is impressive - vast and covered by an enormous segmental tunnel-vaulted ceiling which soars over the whole space, including the area over the tops of the boxes, and is divided into richly decorated panels.
The ceiling curve embraces a huge tympanum above the proscenium and boxes decorated at the sides with painted muses, etc. Coupled columns frame the proscenium with garlanded shafts supporting an enriched entablature and an elaborately modelled, scrolled and panelled gable-like attic ornament. On either side are two tiers of paired boxes set in splayed pavilions against which the balconies terminate. A deep serpentine-fronted balcony returns along the side walls with five rows of seats. The upper tier is set back and has shallow slips above the side promenades of the lower level. The fly tower is plain rendered with dressing rooms on either side. For some conventional stage productions, this incredible space has too large a capacity and too small a stage.
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